Nepali Patro

Nepali Patro

Natyabhumi on or after Agartala staged their most recent production 'Stri'r Patro' on May 26 at the National Theatre Hall of the Bangladesh Shilpakala private school for the period of the ongoing 1st Dhaka International Theatre Fest. An adaptation of one of Rabindranath Tagore's undersized stories and a nepali patro tribute to Tagore's 150th birth anniversary, the play has been dramatised and directed by Sanjoy Kar, the founding member of Natyabhumi on or after Agartala of Tripura.

Kar pointed not at home to The Fest's Bulletin with the purpose of the play depicts the agony of a wife, which has persisted yet for the period of the donate society in the Asian subcontinent.

Kar, who was born and brought up in Habiganj of Bangladesh, soon after motivated to India for professional requirements. . He founded a cast named 'Cultural Campaign' in 1980, protracted ahead of establishing Natyabhumi in 1993. Because its start, Natyabhumi has been the leading cast in Agartala.

Kar is delighted to be alive a division of the firstly instalment of the festival referring to the carousing, bargain and hospitality by the Bangladeshi organisers since 'delicate' and 'amiable'.

Rajan Khatiwada, a Nepalese theatre innovative and director of Theatre Mandala on or after Nepal, had like things to say approaching the fest and Bangladeshis.

'We are incredibly pleased to be alive a division of the 1st Dhaka International Theatre Fest. The experience is in fact terrific. Dhaka has a incredibly active, rich and lively theatre picture,' he was quoted by the Bulletin. 'I control attended theatre festivals in lots of countries. I control been to Moscow, Sweden, Germany, Norway, Denmark and India. I would say with the purpose of the theatre festival in Dhaka is a incredibly well nepali patro managed festival,' Rajan added.

Approaching 'Maila dot com', the play with the purpose of Theatre Mandala staged at the Experimental Theatre Hall of the Shilpakala private school on May 27, Khatiwada held to the bulletin, 'The protagonist of the play is Maila, a thirteen day old boy who factory at a coffee store and develops an attraction towards the holder of the store, a 23 day old woman'Thirteen is a time what time the human body goes from end to end lots of changes and the boy in the play is veto altered. He becomes bizarre of his employer who is kind to him since he is so young. The boy mistakes the good gestures since incredible in addition, thinking nepali patro employer is plus attracted towards him.'

'In the stay fresh picture while having a nepali patro conversation by his employer, the boy kisses the woman and he is fired on or after his job. The play follows the life of the boy for three days. On or after the day of the week he is employed to the day of the week he gets fired' The play tries to promote to the audience imagine approaching the youngster member of staff who may be alive working at the coffee store on the next side of the street,' shared Rajan.